Haiti, history, and the Gods
								
								
							 
							
							
							
							
								
									Joan Dayan, Professor of English at the University of Arizona, is the author of Fables of Mind: An Inquiry into Poe's Fiction (1987) and A Rainbow for the Christian West (1977).								
							 
							
							
								
									I xi 
  
II xxiii 
  
III 3 
  
IV 5 
  
V 7 
  
VI 13 
  
VII 16 
  
VIII 29 
  
XVIII 117 
  
XIX 124 
  
XX 143 
  
XXI 147 
  
XXII 152 
  
XXIII 162 
  
XXIV 165 
  
XXV 170 
  
자세히
IX 39 
  
X 54 
  
XI 65 
  
XII 77 
  
XIII 79 
  
XIV 85 
  
XV 93 
  
XVI 97 
  
XVII 104 
  
XXVI 186 
  
XXVII 188 
  
XXVIII 198 
  
XXIX 211 
  
XXX 218 
  
XXXI 236 
  
XXXII 257 
  
XXXIII 268								
							 
							
								
									Dayan uses a multifaceted methodology, including careful historical, anthropological, and literary analysis. She paints a frightening portrait of colonial Haiti from legal and religious texts, memoirs, letters, and literary fiction. . . . The light Dayan shines on race, gender, and religion illumines the path from the slave trade to the drug trade to the boat people. . . . She tells the same story three ways: using ritual, fiction, and history. . . . An intriguing way to wander through Haiti's 'cultural imagination.' . . . She evokes a deeply felt mood of Haiti's past and present." -- Commonwealth
"Dayan's book is a brilliant breakthrough in Haitian historiography. She has done for the understanding of the Haitian mind what Perry Miller did for the understanding of the Puritans in his New England Mind (1939)." -- Thomas O. Ott, American Historical Review
"Joan Dayan has written a strange and wonderful book. [It] will be hard to put down once started, so intense and impassioned it is. It is a composite essay that insists on its own unstable, hybrid form. . . . It is also a love-letter to a place and a people, in which the personal surfaces with the unanswered questions of the familiar past. . . . Whether they agree with it or not, future scholars will have to position themselves with regard to a work that meticulously deconstructs every single assumption, upends every single image outsiders have ever held for the past two hundred years about the island, its history, its belief system." -- Clarisse Zimra, Research in African Literatures
"There is much that historians can learn from Dayan's approach to historical sources. . . . Because she sees herself as exploring a 'history beyond the reach of written history,' she has successfully reached for nonwritten sources and found a very revealing one in Haitian voodoo. . . . Her use of popular historical interpretation to complicate nationalist and state representations of revolution will be of interest to scholars of other countries in the region, and perhaps especially to students of Mexico and Cuba." -- Ada Ferrer, Historian
"[A] provocative and demanding book. . . . revealing how Haiti and its history came to reflect a series of particularly European and, more specifically, French preoccupations. . . . Dayan's far-reaching mix of historiography and textual analysis is not confined to foreign perceptions of Haiti, in which the old demons of race, colour, sexual fetishisation, and bondage fantasies crop up relentlessly. She is also interested in trying to reconstruct a more authentically Haitian sense of Haitian history, exploring popular legends, songs, and other elements of a culture where voodoo plays a central role. . . . This is a complex and sophisticated study." -- James Ferguson, The Institute of Race Relations/Race and Class